(Warning: this blog post is going to be more introspective and very visibly just me going through my thoughts)
Libra by Don DeLillo mixes fact and fiction to fill in the gaps of the historical November 22, 1963 event of JFK’s assassination. DeLillo creates a fictional lattice work that ties together the given facts of the situation in a seamless way, especially if you’re someone like me who knew practically nothing of the event before.
The novel centers itself around Lee Harvey Oswald, but David Ferrie’s character stood out to me particularly with what he was spouting to Lee about coincidences. On page 384, we view a conversation between Ferrie and Lee:
“There’s no such thing as coincidence. We don’t know what to call it, so we say coincidence. It happens because you make it happen…We didn’t arrange your job in that building or set up the motorcade route. We don’t have that kind of reach or power. There’s something that jerks you out of the spin of history.”
Here, Ferrie acknowledges the various coincidences that have played out up to the point of the assassination. It is clear that regardless if this is something that he believes in, he’s using his beliefs and expressing it in a way to manipulate and indoctrinate Lee into the assassination plan. He frames it in a way to make Lee believe that he was meant to do this. That the universe wanted this to happen. That all of these events wouldn’t have occurred if Lee was supposed to do this.
However, we see many characters follow this same train of thinking. Obviously, we see this clearly with Lee, since his mindset was forcibly rewired as he was manipulated. When he first gets involved in the plot, he ponders coincidences and the role they had in his life:
“Of course it was only coincidence that Ferrie mentioned the thing one day and it appeared in the paper the next. But maybe that was even stranger than total control…Coincidence. Lee was always reading two or three books, like Kennedy. Did military service in the Pacific, like Kennedy. Poor handwriting, terrible speller, like Kennedy. Wives pregnant at the same time. Brothers named Robert.” (DeLillo 336).
These chains of coincidences (along with many others) connected Lee to the assassination plot, but was it truly fate that he ended up being the one to shoot him? The events of the assassination still could’ve occurred with a different gunman, but the fact of the matter is that Lee ultimately made the decision and sealed his place in history. Another example I noted was how Jack Ruby expresses this same thought process. On his way to kill Lee, we see his streamline of thoughts: “He was running late. If I don’t get there in time, it’s decreed I wasn’t meant to do it…If I get in this easy, it means they want me to do it.” (DeLillo 436-37). He believed that he was predestined to do this, and if things didn’t work out in the way he expected, then he wasn’t meant to do it.
Regardless if you agree with these beliefs and think that everything was meant to happen or not, it is undeniable that our frames of thinking are altered similarly when analyzing historical events. The assassination of JFK and Lee Harvey Oswald’s role in it were irrefutable. DeLillo tries to create a plausible portrait of Lee and how he could’ve been brought into this plot. The readers subconsciously grasp the details given and try to make sense of how these events and characteristics led up to the assassination. In the eyes of most, the assassination is the culmination of everything in Lee’s life, so we subconsciously try to understand how these events resulted in his killing. We have taken this event, as something so cemented in history, viewing all of the details leading up to it as inevitable: this event undoubtedly led to this event, this trait of Lee makes sense to why he did this, and so on. We seek explanations for these coincidences because of our desire to understand these uncertainties. We feel the need to make sense of a situation. We see him as the future killer of JFK, rather than Lee Oswald. The Texas Book Depository had little significance before the event, but now we see it as the shooting area where Lee was. We accept historical events as they’re given (reasonably, since they’ve already occurred), but it completely changes the way we think about the details leading up to the events. Those details are just watered down to people and places and objects that are just waiting for these historical events to happen.
He is known as Lee Harvey Oswald, so DeLillo humanizes him by just expressing him by his given name throughout the book. Lee makes a remark when observing Francis Gary Powers: “It occurred to Oswald that everyone called the prisoner by his full name… once you did something notorious, they tagged you with an extra name, a middle name that was ordinarily never used. You were officially marked.” (DeLillo 198). The readers only think of him as Lee Harvey Oswald, which is noted by the end of the book: “his life had a clear subject now, called Lee Harvey Oswald” (DeLillo 435). His life is defined by this notorious event, something that led to history only referring to him by his full name.
There’s a lot that could be said about past events. Was it something that was truly inevitable? Was it something that could have been preventable? How different would the future be if this hadn’t happened? Despite my belief that everything is not predestined and events can just occur, it’s something I think about. Especially with the fact that I’m so detached from so much of history and historical events happening, it’s not something I really process. With reading Libra, so often I would think of the assassination and think how surreal it sounds, and I’m just living in the future that transpired after this event. It leaves me to wonder how would a reader approach this book if they had never heard of Lee Harvey Oswald and the assassination?
Dude, this is so much fun. You're of course totally right about how everyone looks at Lee Harvey Oswald today and wonders how he got to killing JFK, seeing every single event in his life as something that led up to that, and I find that fascinating. Is that operating under the assumption that we have no free will? I think it is. That assumes that everyone's life is an inescapable chain of events that leads us somewhere, to the peak of our lives. We are bound by that, as if what Lee did when he was six had so great an impact on what he did when he was 24, what he did when he was 24 was guaranteed from the time he was six, and he had no choice to get out of it, which seems unlikely. I feel like I've been rambling, but I do think that this is such a fun post and I thoroughly appreciate the introspection.
ReplyDeleteThis post raises some great questions and made me think about it too. How would someone who had never heard about this read this book? Honestly I had recognized the name Lee Harvey Oswald a little when we first started reading, but I basically knew nothing about the assassination until we started reading. Then I did some research of my own. I also liked how you pointed out how DeLillo humanizes Oswald. Great post!
ReplyDeleteHi Khuyen, excellent post. I'm fascinated by the question of whether Lee was able to manifest his way into history or whether his path towards infamy was truly random. You do a great job of laying out the arguments for each. I personally believe that it's kind of a monkey's paw scenario. Lee starts his journey to becoming "a man of history" under his own free will, and is able to begin to make a name for himself purely through the decisions he makes. But as time goes on, this journey is less and less under Lee's control, and he is instead victim to it.
ReplyDeleteHonestly, I've never thought about coincidences like this, but you might be onto something. All the coincidences that occurred in Oswald's life seemed so suspicious and odd, but that's only because we know where the culmination of the events in his life eventually leads to. To us, the ending is inevitable. However, from his perspective, he made the choices, and things just happened to turn out the way that they did.
ReplyDeleteThe central role of coincidence in this plot--if we even believe that there IS a plot, and that Oswald did not act alone, as in the official account--cannot be denied, and it's fascinating how DeLillo works coincidence itself into Ferrie's "toolbox" as he manipulates Lee. The fact that the president's motorcade will pass directly under Lee's window at work is "evidence" that Lee is "meant" to shoot him--the universe clearly wants this to happen.
ReplyDeleteAmong other things, DeLillo reflects on something unique about the study of history: once something happens at a location, it can be hard NOT to think of that location as (in retrospect) sitting there "waiting" for these lines to converge. It's hard to look at a photo of the twin towers in Manhattan dated September 10, 2001, and not see them as "waiting" for those planes to arrive the next day. Lee Oswald became famous on November 22, and so did Dealey Plaza in Dallas. No one outside of Dallas would have talked about Dealey Plaza if there was never an assassination of a president there.
My favorite example in the novel of suggestive coincidence that HAS TO mean nothing whatsoever is the list of coincidences between the JFK assassination and the Lincoln assassination. These can't POSSIBLY "mean" anything in terms of what happened and why--the universe simply does not work this way--and yet the coincidences are undeniably suggestive. Are we "projecting" the coincidence in an "ontological" way? Or are we "perceiving" an underlying connection that "exists" even before it is perceived, and which "means something"? Postmodernism would side with the former.
I think Ferrie's views are weirdly anachronistic given his role as a catalyst for Oswald; this view of determinism and a lack of coincidence is, I think, often adopted in retroactive analysis especially when the analyzer is biased towards a known or desired outcome. I think your feelings on the aftermath of such a historical and consequential event is very true; ironically, it seems that we view the future through a lens of what has happened before, through a historical perspective. Our view towards the future is indeed informed by what has happened before and it is so interesting to think that, in the same way we view the future through a historical lens, for our present and the precise moment of many historical events, there is not necessarily any weight in comparison to the immediate aftermath, that the impact and influence can't necessarily be felt in the moment.
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